Coming of age in the British capital during the 2000s, I was always surrounded by suits. You saw them on businessmen hurrying through the financial district. You could spot them on fathers in the city's great park, kicking footballs in the evening light. Even school, a inexpensive grey suit was our mandatory uniform. Traditionally, the suit has served as a costume of seriousness, signaling power and performance—qualities I was expected to embrace to become a "man". Yet, before lately, people my age seemed to wear them infrequently, and they had largely disappeared from my mind.
Subsequently came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony dressed in a sober black overcoat, pristine white shirt, and a distinctive silk tie. Riding high by an innovative campaign, he captured the world's imagination like no other recent mayoral candidate. But whether he was cheering in a hip-hop club or attending a film premiere, one thing remained mostly unchanged: he was almost always in a suit. Relaxed in fit, modern with unstructured lines, yet traditional, his is a typically professional millennial suit—well, as typical as it can be for a cohort that rarely bothers to wear one.
"The suit is in this strange place," notes men's fashion writer Derek Guy. "It's been dying a gradual fade since the end of the second world war," with the significant drop coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the strictest locations: weddings, memorials, and sometimes, legal proceedings," Guy explains. "It's sort of like the kimono in Japan," in that it "fundamentally represents a custom that has long retreated from daily life." Numerous politicians "wear a suit to say: 'I am a politician, you can have faith in me. You should support me. I have legitimacy.'" Although the suit has historically conveyed this, today it enacts authority in the attempt of gaining public confidence. As Guy elaborates: "Since we're also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it performs masculinity, authority and even closeness to power.
This analysis stayed with me. On the infrequent times I need a suit—for a ceremony or black-tie event—I retrieve the one I bought from a Japanese department store several years ago. When I first selected it, it made me feel sophisticated and high-end, but its tailored fit now feels outdated. I imagine this feeling will be only too recognizable for numerous people in the global community whose parents originate in somewhere else, particularly developing countries.
Unsurprisingly, the working man's suit has lost fashion. Like a pair of jeans, a suit's shape goes through trends; a specific cut can thus define an era—and feel rapidly outdated. Consider the present: more relaxed suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the cost, it can feel like a considerable investment for something likely to fall out of fashion within a few seasons. Yet the attraction, at least in certain circles, endures: in the past year, major retailers report tailoring sales increasing more than 20% as customers "move away from the suit being everyday wear towards an desire to invest in something exceptional."
Mamdani's preferred suit is from Suitsupply, a Dutch label that sells in a mid-market price bracket. "Mamdani is very much a reflection of his upbringing," says Guy. "A relatively young person, he's neither poor nor extremely wealthy." To that end, his moderately-priced suit will resonate with the demographic most likely to support him: people in their thirties and forties, college graduates earning professional incomes, often frustrated by the cost of housing. It's precisely the kind of suit they might wear themselves. Affordable but not extravagant, Mamdani's suits plausibly don't contradict his stated policies—such as a rent freeze, constructing affordable homes, and free public buses.
"It's impossible to imagine a former president wearing this brand; he's a Brioni person," says Guy. "As an immensely wealthy and grew up in that New York real-estate world. A status symbol fits naturally with that tycoon class, just as more accessible brands fit naturally with Mamdani's constituency."
The history of suits in politics is long and storied: from a former president's "shocking" tan suit to other world leaders and their suspiciously impeccable, tailored sheen. As one UK leader learned, the suit doesn't just clothe the politician; it has the power to characterize them.
Perhaps the key is what one academic calls the "enactment of ordinariness", summoning the suit's long career as a standard attire of political power. Mamdani's particular choice taps into a deliberate modesty, neither shabby nor showy—"conforming to norms" in an inconspicuous suit—to help him appeal to as many voters as possible. However, experts think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't apolitical; historians have long noted that its modern roots lie in military or colonial administration." Some also view it as a form of protective armor: "I think if you're a person of color, you might not get taken as seriously in these traditional institutions." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
This kind of sartorial "changing styles" is not a recent phenomenon. Even historical leaders once wore formal Western attire during their early years. These days, other world leaders have started swapping their typical fatigues for a black suit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's public persona, the tension between insider and outsider is visible."
The suit Mamdani chooses is deeply significant. "Being the son of immigrants of Indian descent and a democratic socialist, he is under scrutiny to conform to what many American voters expect as a sign of leadership," says one expert, while at the same time needing to navigate carefully by "avoiding the appearance of an establishment figure betraying his distinctive roots and values."
Yet there is an acute awareness of the different rules applied to who wears suits and what is read into it. "This could stem in part from Mamdani being a younger leader, skilled to assume different personas to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, traditions and attire is common," it is said. "Some individuals can remain unremarked," but when others "seek to gain the power that suits represent," they must carefully negotiate the codes associated with them.
Throughout the presentation of Mamdani's official image, the dynamic between belonging and displacement, insider and outsider, is evident. I know well the awkwardness of trying to conform to something not built for me, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, image is not without meaning.